some poems +

“West Mesa,” “Stars Rotate in the Sky,” and “Topaz, Petals” forthcoming in The Colorado Review
"Mirror,” forthcoming in Western Humanities Review

“Beam,” and “Stars, Monterrey,” The Los Angeles Review

“Still Life with Oleanders,” Black Warrior Review and Verse Daily

“Tributaries Without Sound,” fugue

"Moonscapes,” wildness

Core Memories: Sara Lupita Olivares, Hayden’s Ferry Review Blog Post

before abandoning the portrait, Finalist for the National Poetry Series

“Imposition,” Hayden’s Ferry Review

“Markings,” Image Journal

BIWOC Poet Spotlight, Perugia Press

“Headwater,” Invisibly,” and “Reflexivity,” Oxford University Press, ISLE: Interdisciplinary Studies in Literature and Environment

“Retablos,” “Recompose,” “Our Lady of Guadalupe on the Hill,” and “Stag,” Puerto del Sol

“Quieted the Meadow” and “Inattentive,”Bennington Review

Orion Magazine: Eleven Poetry Recommendations for Latinx and Hispanic Heritage Month

University of Notre Dame's Letras Latinas, Curated Conversations with Sara Lupita Olivares and Iliana Rocha

“Retablos,”Quarterly West

“Study of Eleven Outlines,” Guesthouse

“Retablos,” “Retablos,” “Dialogue of Losses,” “Etched,” and “Coyolxauhqui” 
Waxwing Literary Journal

"Points of Orientation” and “The struggle has always been inner and is played out in the outer terrains,” Yalobusha Review

Interview: “In Class with Professor Sara Lupita Olivares,” Frontier Poetry

Interruptions, Rhino

The Acentoes Review: A little wolf’s howl: Sara Lupita Olivares’s Migratory Sound Review

American Microreviews and Interviews: Migratory Sound

"Writers Recommend,” Poets & Writers

“Towards,” The New York Times, America 2020, In Vision and Verse

Under Pressure Interview, The Boiler Journal

“Inverse,” West Trestle Review

“Of Small Spaces,” jubilat

“Drawings of a Red-Billed Pigeon,” The Cincinnati Review

“Circuit,” The Florida Review Latinx Issue

“Vague,” “Sometimes Our Oblivion,” “Correspondence,” and “Maps,” Denver Quarterly

“Clarities,” Third Coast Magazine

“Night,” Newfound Journal

“Glimpse,” “Animalier: On Stasis,” DIAGRAM

“Collective,” and “Drawn Animals,” Salt Hill Journal

“Openings,” Apogee

“Migratory Sound” and “Moment to Moment,” The Boiler Journal

“Where the Field Retracted,” and “On Balance,” Gulf Coast Magazine

“Moment Where I Keep What I’d Wanted To Give,” Verse Daily

“Against,” The Pinch

“Respond to View,” “Moment Where I keep What I’d Wanted to Give,” “Numbers,” and “What Never Converges,” Columbia Poetry Review

“Toward,” “Certain Noise,” “About Oblivion,” “Shipyards,” “Form,” “Small Ghost,” Horse Less Press

“Say,” Fourteen Hills